Thursday, January 6, 2011

Self-published is a bad word, right?

I know, this is a tech blog, but bear with me, I have some stuff to work out.

Long story short, I have a novel that took me five years to write, and has been done since November 2009. And by done, I mean that I wrote six drafts of it (a few completely from scratch) and when I put the final period on the last draft, the book was the book that I wanted it to be, maybe not perfect, but the book I wanted to write.

Fast-forward to the present day: The book has been around to several agents and publishers, most of whom have had very nice things to say about the book and the writing, but no one has taken it. Some have blamed the market, some have said they liked it but didn't "connect" with it. The list goes on. These are common rejections if you sit around a table with writers and listen to them tell their stories. Let me say right now that, while these rejections have been disappointing, I wouldn't go as far to say they were disheartening or discouraging. In some cases they were quite the opposite. Rejection is part of the writer's life and I've been rejected a ton, so I'm as used to it as can be. A sage teacher once revealed that he sent his stuff out expecting rejection, in fact early in his career he set out to collect rejections.

As the new year arrived, I wanted to start thinking fresh about my book and where I am with my writing and my life. Not only do I have this book done, but I'm almost finished with the first draft my next novel and I have a couple more in various stages of planning and completion. I have a job that keeps me in touch with writing and teaching, so I don't need to support myself with my writing.

The question becomes why do I write, anyway? Well, a big reason, the simplest reason, is that I'm a writer. Writers write, as the saying goes. But it's not just the acting of sitting your ass in a chair and pounding out a few hundred words. I do it because I can't not do it. I'm compelled by a drive that goes beyond the need for recognition and accolade and rests somewhere in the pit of my stomach: I have to say something and I have to say it for me. I have to write or I'm not me. There's more to it than this, but I don't want to get all self-helpy.

So back to the self-publishing thing. Most of my "professional" life has been in advertising, marketing and publishing. I've been a proofreader, a copy editor, an editor, a graphic designer, a marketing manager, a copywriter; I've done just about everything there is to do when it comes to the creation and promotion of printed media. I looked into some of the self-publishing options available now and, honestly, I'm impressed, particularly with LULU.com. Lulu has everything necessary to create a professional-quality book, including ISBN numbers, voluminous print options, templates for design, eBook distribution to Amazon and elsewhere, and other promo opportunities...the list goes on.  And I have the knowledge and ability to use lulu or another service to its full extent. Do I just go for it?

The only thing that continuing to send my  book out to agents and publishers would get me is the satisfaction of knowing that someone who already does what I know how to do has told me that I'm worthy of the effort of putting my book out there, right? Do I need someone to tell me that? Am I making excuses and short-cutting if I self publish? If the reason I write is because I have something I need to say that I hope others will find merit in, then why continue to court the middle man, when their tools are available to all now?

Yes, writers write. And I am a writer. But writing is an art form that is in many ways incomplete without the other side of the equation: the reader. If a writer's job is to give a reader just enough of the world in his mind that the reader can complete the picture in theirs, then shouldn't I seek out readers for my work? I felt strongly enough about this book to spend more than half a decade with it. Don't I then owe the work an audience, no matter how small? To put this in perspective, I started it when my daughter was one and now she's seven. Her whole life has been me with this book. I've grown it and suffered with it and felt proud of it. Should it then live the rest of its life in a box because others haven't found the same wonder in it that I have?

So, in  a world where the publishing industry is failing according to many and the means of production are available at a high level to everyone, should I release my book into the world to see how it fares and move on with my new projects, or is there a reason to keep pounding away at the traditional structure in the hopes of acceptance?

Any thoughts would be most appreciated.

4 comments:

  1. The stigma attached to self publishing will go the way of the do-do just as it did with the music industry. While you may have short term snot nosed reactions from some, long term it is where everyone will end up. Hell, create a small press while you are at it and find one or two others to add to the backlist and voila, it isn't "self-published" anymore.

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  2. A good article also forwarded from Luke: http://www.washingtonpost.com/wp-dyn/content/article/2009/03/06/AR2009030603227.html

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  3. I am in a very similar situation. Last year I got an agent for my novel, and she's been sending it out ever since, but only collecting nice rejections from publishers. My agent has been very nice, but as the rejections mount I anticipate her letting me and my novel go. So I've been trying to think: what next? I've been looking into small, very small, presses I could submit it to myself. (My agent has submitted to a few smaller presses, but I think she shies away from them because there's no money there.) I attended the AWP conference last year and saw booths for a number of presses that I might submit to if the inevitable dropping happens. I've thought about self-publishing, but I have to admit that the stigma scares me. I, too, am almost finished with another novel, and spend most of my energy on that now. Naturally, I think this one will be better and I imagine it selling, so I'm worried that self-publishing the first novel or even publishing it on a dinky press will hurt the second novel's chances of going to a bigger press. Which doesn't seem fair to the first novel.

    What kind of publishers have you submitted your novel to?

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  4. Kevin, I really feel like agents should be in it for the long haul (your career), not the one-time pay out. I know how worrisome this can be after working so hard to secure an agent, but if you feel like that's the relationship, maybe you're better off if the relationship ends. just food for thought.

    I've been continuing to look into the self-pub thing over the past week or so and have made the decision to make one more round of subs before I take the plunge, but regardless I think the stigma will be quickly a thing of the past. If there are fewer and fewer venues for good writing and fewer and fewer publishing houses and presses willing to take a chance on "risky" (read "non-commercial") work, then where do writers go? Will we become a community of closet creators? If the art of writing for both the individual and the the greater population is to move forward, the work has to get out there somehow, right? I think that ebooks are really the thing that will get a lot of self-pub stuff over. Ebooks are an easy sell compared to physical self-pub books.

    The same thing happened to the music industry 10 years ago and while the industry has never recovered, there's still good music out there and the means of distilling the good from the bad are evolving. Hopefully the same will happen with self-pub. Maybe we're the people to make it happen?

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